While Blinken's aides say he wanted to talk about the future of Gaza, once Israel defeats Hamas, Jordan's foreign minister, Ayman Safadi, rejected that approach. Secretary of State Antony Blinken in Washington shortly after the U.S. Several foreign ministers of Arab countries that have been pushing for a cease-fire met U.S. "Unfortunately, nearly all of our recommendations were ignored." Arab countries urge the U.S. 7, increased opportunities for humanitarian aid to enter Gaza, encourage the release of hostages and the resumption of humanitarian pauses and laid a foundation for a durable peace," Wood said. that would have reinforced the life-saving diplomacy we have undertaken since Oct. diplomatic efforts to get more aid into Gaza and free hostages taken by Hamas militants in the Oct. deputy representative to the U.N., Robert Wood, said the resolution was rushed and ignored U.S. against, while the United Kingdom abstained.Īfter the vote, the U.S. The Security Council vote on the resolution, backed by Arab states, had 13 in favor and one - the U.S. The United States vetoed a resolution calling for a cease-fire in the Israel-Hamas war at the United Nations Security Council on Friday. Security Council meeting in New York on Friday. Have an interesting story to tell? We want to interview Syntorial users from all walks of music life, from hobbyist to professional to mega-celebrity.Ĭontact us if you’d like to be considered for an interview.French Ambassador to the United Nations Nicolas de Rivière (center) and other representatives raise their hands in favor of a resolution calling for a cease-fire in Gaza during a U.N. ![]() Gavin Bryars (in general), Descendre by Terje Rypdal, Hats by The Blue Nile By applying the principles of synthesis to the electric guitar, I have been able to create a vocabulary of expressive devices that sound electronically processed but are created manually.ĥ. Syntorial taught me the vocabulary and techniques of synthesis, which has made me a more effective collaborator when working with producers and keyboardists. How has Syntorial helped you in your sound design process? To create the pointillist, evolving guitar soundscape that plays throughout Faunaphor’s “I see you in my dreams”, I created a custom sample library of about 100 guitar sounds and effects that my collaborator, Louis Weeks, mapped to a MIDI keyboard and and played as a new instrument.Ĥ. Tell us about a project you worked on or a piece of music you created, in which you found the process particularly interesting. After studying jazz and classical music in college, I became interested in synthesis and music production, which I began teaching myself using various online resources.ģ. Growing up I experimented with my sister’s Yamaha VSS-30, which served as a gateway into synthesis and sampling. Tell us about your history with synthesizers I am the guitar faculty at Camp Encore/Coda, where I coach rock and jazz ensembles and teach various classes, and I teach guitar, ear training, and music theory lessons in person and over video chat.Ģ. I compose for film and podcasts, and play guitar with ensembles in rock, jazz, and classical music. In 2018, Faunaphor was chosen to support Múm at the legendary 9:30 Club in Washington, DC. As we push ourselves to expand our musical vocabulary, we combined impressionistic harmonic devices inspired by Debussy and Ravel with arrangements inspired by Talk Talk, The Blue Nile, Steve Roach, and Ambitious Lovers. Like a longform classical composition, this album’s six extended songs are connected by common musical and lyrical motifs that are continuously developed and re-contextualized. ![]() And There I Was (2017), credited to Faunaphor, combines the suite-like construction of arc | radius | curtain with the song-based format of shift/away and haha.
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